Variation on a Theme
From Collected Poems 1996-2011
Thank you my lifelong afternoon

late in this season that has no age


Ericksons, 1973, tempera on hardboard panel,
Andrew Wyeth, 1917-2007, American.
Loaned by a private collection to the Brandywine River Museum, 2017


Portrait of my Grandmother (Emily Motley), 1922, oil on canvas.
Archibald J. Motley, Jr., 1891-1981, American. Baltimore Museum of Art



Jeb, 1980, oil on canvas.
Elaine de Kooning, 1918-1989, American. Pennsylvania Academy of the Fine Arts, Philadelphia



Eleven’Clock News and details, tempera on panel, 1966.
George A. Weymouth, 1936-2016, American. Brandywine River Museum, Chadds Ford, Pennsylvania


Archaic Memory, 1988, acrylic on canvas.
Fred Danziger, American born 1948. State Museum of Pennsylvania, Harrisburg
Fanny/Fingerpainting, 1985, oil on canvas.
Chuck Close, American, 1940-2021. National Gallery of Art, Washington, DC



Stills from a documentary about the life and work of Ruby Nell Sales made by Adam Pendleton, American born 1984.
Shown at the Whitney Museum Biennial 2022.
Ruby Nell Sales, American born 1948, civil rights activist
and public theologian in the prophetic tradition of her political and spiritual elders.



Chillin’, clay, wall paint, acrylic paint.
Susan Strassberg on exhibit at the Clay Studio, Philadelphia in 2015


Man in a Cafe, 1912, oil on canvas.
Juan Gris, 1887-1927, Spanish. Philadelphia Museum of Art
thank you for my windows above the rivers


The Schuylkill River at its last weir before its confluence with the Delaware River, Philadelphia.


Schuylkill River, c. 1869, oil on canvas.
T.J. Fenimore, 1842-1873, American. Pennsylvania Academy of the Fine Arts, Philadelphia

The Brandywine River, a tributary of the Christina River , at Greenville, Delaware

The Brandywine River at Chadds Ford, Pennsylvania

Darby Creek, a tributary of the Delaware River, near its headwaters, Waterloo Mills Preserve, Chester and Delaware counties, Pennsylvania

The Wissahickon, a tributary of the Schuylkill River, at the Morris Arboretum, Chestnut Hill, Philadelphia
thank you for the true love you brought me to when it was time at last

At Dusk, c. 1882-’83. Conte crayon on paper (light interference).
Georges Seurat, 1859-1891. Private collection on loan to MOMA. NY in 2020

Man and Woman, 1926, oil on canvas.
Rufino Tamayo, 1899-1991, Mexican. Philadelphia Art Museum
and for words

Vaclav Havel, 1936-2011, playwright, writer, political dissident, 10th president of Czechoslovakia and 1st president of the Czech Republic, 1989-2002.
Photograph of unknown date from the net

The Writer, 1925, oil on cardboard.
Manuel Rodriguez Lozano, 1896-1971, Mexican. Private Collection on loan to the Philadelphia Art Museum in 2016

Girl Writing, 1941, oil on canvas.
Milton Avery, 1885-1965. The Phillips Collection, Washington, DC
that come out of silence and take me by surprise

Self-Portrait, 1922, oil on canvas.
Adolfo Best Maugard, 1891-1964. Private collection on loan to the Philadelphia Art Museum in 2016


The Reader, c. 1660s, oil on canvas.
Eglon van der Neer, 1635/36-1703, Dutch. Metropolitan Museum of Art, NY


Interior with a Young Girl Reading, 1905-06, oil on canvas.
Henri Matisse, 1869-1954, French. MOMA, NY

One man raised Sinclair Lewis’ warning of a book about the possibility of American fascism in front of Independence Hall, Philadelphia on the evening of February 8, 2017 protesting the immigration halt of the citizens of a number of countries by President Donald Trump.
and have carried me through the clear day
without once turning to look at me


Sailing in the Mist, 1890’s, oil on canvas.
John H. Twachtman, 1853-1902, American. Pennsylvania Academy of the Fine Arts, Philadelphia


Departure (Ada), 2016, oil on linen.
Alex Katz, American born 1927. Private loan to the Solomon R. Guggenheim, NY in 2022
One of the many portraits of the artist’s wife.
thank you for friends and long echoes of them


Round Dance, 1909, oil on canvas.
Emil Nolde, 1867-1956, German. National Gallery of Art, Washington, DC


Two Girls, c. 1892, oil on canvas.
Pierre-Auguste Renoir, 1841-1919, French. Philadelphia Art Museum


Poker Game, 1970, oil on canvas.
Larry Day, 1921-1998. American. Woodmere Museum of Art, Philadelphia in 2021/22

Fulang-Chang and I, 1937, assembled after 1939; oil on composition board (1937) with painted mirror frame (added after 1939); and mirror with painted mirror frame (after 1939).
Frieda Kahlo, 1907-1954, Mexican. MOMA, NY
Both were a gift from Frida Kahlo to her friend, Mary Sklar so that the latter could be with her whenever she wanted to be.


Vignette IV, 2005, acrylic on PVC panel.
Kerry James Marshall, American born 1955. Loaned to an exhibition at the Metropolitan Museum, NY in 2016 by a private collection.

Three Girls, 1941, oil and pencil on wood panel.
William H. Johnson, 1901-1970, American. MOMA, NY
and for those mistakes that were only mine

Crouching Statuette of Adam, 1896, plaster.
Paul Wayland Bartlett, 1865-1925. Pennsylvania Academy of the Fine Art

Melancholia, 1953, opaque watercolour on paper.
Ben Shahn, 1898-1969, American born Lithuania. Philadelphia Art Museum


Shame, 2017, and details, oil on canvas
Dana Schutz, American born 1976. Whitney, NY Biennial in 2017
for the homesickness that guides the young plovers
Deer in Sunset, oil on canvas, 1946.
Karl Knaths, 1891-1941, American. The Phillips Collection, Washington, DC
from somewhere they loved before
they woke


Details of Deer in Sunset oil on canvas, 1946.
Karl Knaths, 1891-1941, American. The Phillips Collection, Washington, DC
into it to another place
they loved before they ever saw it


Bird’s House, 1989, varnish and watercolour on white Strathmore paper.
Jamie Wyeth, American born 1946. Private collection on display at the Brandywine River Museum, Chadds Ford, Pennsylvania
thank you whole body and hand and eye
Self Portrait, 1921, oil on canvas.
David Alfaro Siqueiros, 1896-1974, Mexican. On display at the Philadelphia Art Museum in 2016


Self Portrait with White Hat, and detail, 1926, oil on canvas.
Max Beckmann, 1884-1950, German. Private collection on loan to the Metropolitan Museum, NY in 2017



Three Women at the Spring, 1921, oil on canvas.
Pablo Picasso, 1881-1973, Spanish. MOMA, NY


Black Unity, 1968, cedar wood. Front and back.
Elizabeth Catlett, 1915-2002, American. Crystal Bridges Museum of American Art, Bentonville, Arkansas loan to the Brooklyn Museum, NY in 2018/19
thank you for sights and moments known
only to me


Untitled from Labirismen, 1968, one from a portfolio of 11 lithographs, 1968.
Constant (Constant Anton Nieuwenhuys, 1920-2005, Dutch. Text by C. Caspari (Arthus Carlheinz Caspari). MOMA, NY
who will not see them again
except in my mindʻs eye
River of Light, 1877, oil on canvas.
Frederick Edwin Church, 1826-1927, American. National Gallery of Art, Washington, DC
A painting which is a composite of memories and sketches from a visit to South America 20 years before.
where they have not changed

The Persistence of Memory, 1931, oil on canvas.
Salvador Dali, 1904-1989, Spanish. MOMA, NY. Photo from the net.
thank you for showing me the morning stars

Updraft, 1976, acrylic on canvas.
Edna Wright Andrade, 1917-2008, American. Delaware Art Museum, Wilmington

Peinture 130 x 89 cm, 6 Mars 1955, oil on canvas.
Pierre Soulages, French, born 1919-2022. National Gallery of Art, Washington, DC.

Deep Sky, 1984, aquatints.
James Turrell, American light architect and artist, born 1943. National Gallery of Art, Washington, DC


Shooting Stars, 1952, glass, casein, and tempera on Masonite.
Irene Rice Pereira, 1902-1971, American. Metropolitan Museum of Art, NY
Two sheets of painted, fluted glass sitting in front of a painted panel. The composition changes depending where you stand and how much ambient light there is.
and for the dogs who are guiding me.

Kleberg Daydreaming, 2016, mixed media on paper.
Jamie Wyeth, American born 1946. Private collection courtesy of the Sommerville Manning Gallery, Wilmington, DE in 2017

Squirreling, 1989, mixed media on toned wove paper.
Jamie Wyeth, American born 1946. Private collection courtesy of the Sommerville Manning Gallery, Wilmington, DE in 2017











This series of images is spectacular ⭐⭐⭐⭐⭐
Thank you for your appreciation, Luisa.
The poet, William Merwin, was a poet only: he never taught or did any other kind of work. He wrote poetry and he translated poetry into English. I think sometimes that his word images are so rich because of this kind of focus and dedication to poetry.
To find graphic images to try to match his words is a process of meditation and great pleasure! Sarah