From an exhibition at the Metropolitan Museum, NY in 2018
India, Indonesia, the Far East, The Philippines, Central and South America, Polynesia, China, West Africa
Jewellery from several civilizations and time periods, for its various functions:
ritual, display of social status, to mark a rite of passage, for adornment, pleasure, or fun.
Also for the function of beauty as a generator of happiness and contentment. The beauty not only of the object itself but also of the exquisite workmanship.
All jewellery in the collection of the Metropolitan Museum, NY and some in an exhibition in the winter of 2018: The Body Transformed
Everyone smiled here in the moments when they are not reading a museum label. Even when they are.
Central and South America
Gold ear spools, 100 BC to 800 AD, Colombia
Headdress with face wearing ear and nose ornaments, gold, 1st to 7th centuries, Colombia
Pectoral with face and nose ornaments, gold, 1st to 7th centuries, Colombia
Ear flares, 3rd to the 7th century, Peru (Moche) of hammered gold, tuquoise, sodalite and shell inlay.
Crescent nose ornament, gold, Colombia, 1st to the 7th centuries
Nose ornament with shrimp, gold, silver, stone, 6th to 7th century, Moche, Peru
Funerary mask, 9th-11th century, Peru (Sican) of hammered gold, cinnabar, copper overlays
Visitors circulating in the gallery, smiled except when they were concentrating
Collar with Spondylus shell beads with black stone beads and cotton, 12th to the 14th century, Chimu, Peru
Lip ornament, 1300-1521, gold, Aztec
Crown of the Andes: Crown of the Virgin of the Immaculate Conception, gold repousse and chased, emeralds; c. 1660 (diadem) and c. 1770 (arches). Popoyan, Colombia
Shell breastplate with dolphins an frigate bird, Tridactna shell, turtleshell, trade cloth, fiber, late 19th-early 20th century; Pacific Islander, Santa and Solomon Islands
Mask with frigate bird, mid-to-late 19th century; cassowary feathers, turtle shell, fiber, resin, shell, paint. Pacific Islands
Neck and chest ornament, shell, beads, fiber, metal, 20th century. Northern Luzon Island, Philippines
Ear ornaments with tiki figures, early 19th century, white ivory, Marquesas Islands, Polynesia
Engraved pearl shell with ocher, late 19th and early 20th century, Western Australia
Necklace, whale tooth, coconut fiber. Fiji, 19th century
Bronze bracelet, 300 BC to AD 200, Thailand
Earrings with royal emblems of elephants and tigers, gold, Ist century BC; Andra Pradesh
Woman of the Court dressed as an Idealized Beauty, attributed to Ramji, Jaipur, Rajasthan, late 18th century; opaque watercolour, silver and gold
Jade sword handle, 18th-19th century, Mughal period; jade (nephrite) with gold and stone inlays
Tiger-claw necklace, gold, garnets, blue and yellow sapphires, emerals, rubies, diamonds, pearls, corals, turquoise, cats eyes, turquoise, spinels, tiger claws. Tamil Nadu, Mughal or early British period; c. 19th century
Jhela (hair ornament), gold, glass; 18th-19th century; Kashmir, Punjab or Rajasthan, Mughal period
Carved emerald later made into a brooch; emerald with later addition of emeralds, sapphires and platinum. Mughal period, 17th century; setting by Cartier, NY (founded France 1847) c. 1920
Necklace with rubies, diamonds, gold, imitation emeralds (colourless rock crystal over green foil), pearls. Punjab or Rajasthan, Mughal period
Dancing celestial deity, sandstone, early12th century, Uttar Pradesh
Thali (marriage necklace), gold later strung on black thread, late 19th century, Tamil Nadu, India
Brooch, 19th century, pierced gold foil over glass (thewa work), beads and filigree. Pratapgarh, Rajasthan, India. Metropolitan Museum of Art, NY
Necklace with hunting scenes, c. 1850 CE. Pratapgarh, Rajasthan.
Actually at the Philadelphia Art Museum
A complex, lengthy process – thewa – of fusing pierced 23K gold foil and coloured, molten glass. The gold is pierced into the shape of patterns or scenes.
Workmanship of families, father to son, in Pratapgarh, Rajasthan, India.
A process worked out in the very early 18th century, the exquisite excellence of this work has been widely recognized.
Armband with face, gold, early 10th century, Indonesia
Gold ear ornaments, Javanese, Indonesia, 8th to early 10th century
Gold necklace, Javanese, Indonesia, late 9th or early 10th centuries
Mamuli (ear ornament or pendant), 19th century, Sumba Island, Indonesia
Marranga pendant, gold,19th-early 20th century, Sumba Island, Indonesia
Gold earrings in front, end of 5th century, Korean, Gaya Federation, Three Kingdoms period
Headdress with phoenixes and flowers, gold, rubies, pearls, cat’s eyes, iron, Ming dynasty, 16th-17th centuries, China
Hip ornament with face, 16th-17th centuries, Edo Peoples, brass, Nigeria
Ivory bracelet with mudfish and heads of Portuguese traders, ivory copper?. 16th-17th centuries. Edo Peoples, Kingdom of Benin, Nigeria
Bracelet, ivory, wood or coconut shell, 17th-19th centuries, Kingdom of Owo, Yoruba Peoples
Bracelets, 17th-18th centuries, brass. Edo Kingdom, Benin, Nigeria
Head of an ‘iyoba’ (queen mother) wearing coral crown and collar, brass, iron, 18th-19th centuries. Kingdom of Benin, Nigeria
Soul Washer’s Badge, gold, 18th/19thcentury. Ashanti, Ghana. Loaned by a private collector to this museum
Armband with car, silver, 19th and 20th centuries. Fon Peoples, Dahomey Kingdom, Republic of Benin
Headdress, 19th and 20th centuries, wood, hide, metal, bone, paint, Ejagham Peoples, lower Cross River, Nigeria
Brooch, 19th-20th century, silver, Dahomey Kingdom, Republic of Benin
Pendant with head, gold, 19th to mid-20th centuries. Baule Peoples, central Cote d’Ivoire
Pendant with crocodiles, gold 19th-20th centuries. Lagoon Peoples, Cote d’Ivoire
Gold beads, 19th-mid-20th century, gold and copper alley. Baule or Lagoon Peoples. Cote d’Ivoire