Hundreds of Ways to Kneel and Kiss the Ground

 

DSC01400

August 17, 2017. 

 

In another week of rising racial tensions, someone wrote NIGGER on the corner nearest my house in the oldest part of Philadelphia.

Someone else bent down and overpainted this word with the word LOVE. 

I posted thanks to this anonymous person on a neighbourhood web site.

My post was taken down in minutes because I used the word NIGGER (referred to by the politically correct as the N-Word). 

When I questioned this censorship, I was informed that the word NIGGER should never be used on a public site.  I should simply not have mentioned it at all.

I was assured that it was not my sentiment that was being censored but that prohibited word.  

Round and round we go in politically correct and deadening circles.

 

This little blog is for our neighbor, Jamie, who (I found out several days after I wrote this), staring the word NIGGER in the eye, then substituted the word LOVE! 

With thanks.

 

 

DSC00121

Language is not Transparent, 1970, chalk on paint and wall.  Mel Bochner, American born 1940.  Los Angeles County Museum of Art on loan in 2016 to the National Gallery of Art, Washington, DC

 

 

Today, like every other day,
we wake up empty and frightened.
Don’t open the door to the study and begin reading.
Take down a musical instrument.

Let the beauty we love be what we do.
There are hundreds of ways to kneel and kiss the ground.

Jalāl ad-Dīn Muhammad Rūmī, 1207-1273

 

———————————————————————-

 

……Don’t open the door to the study and begin reading.

Take down a musical instrument.

 

 

Cosimo 1 de Medici as Orpheus-1

Cosimo I  de Medici, Duke of Florence as Orpheus, oil on panel, 1537-39.  Angelo Bronzini, 1503-1572. Oil on panel. Philadelphia Musuem of Art

 

 

DSC02846

DSC02847DSC02848

The Lute Player, c. 1926, oil on canvas.  Valentin de Boulogne, 1591-1632, French.  Metropolitan Museum of Art, NY

 

 

DSC00301

Grover Washington, Jr.  Mural on north Broad Street, Philadelphia, 2001.  Designed and executed by Peter Pagas for the Philadelphia Mural Program

 

DSC01360

Sylvie’s Daughter, acrylic on canvas, 2017.  Ilene Spiewak,  Pennsylvania Academy of Fine Art, Philadelphia

 

 

DSC00171

Musicians, Jaipur, Rajasthan, 2010

 

 

DSC00124

Fairmount Waltz, a mural, 2006, in the Fairmount section of Philadelphia.  Designed and executed by D.S. Gordon

 

DSC01388

Amateurs from Amherst College playing jazz at Reading Market, Philadelphia in August, 2017.  Most Fridays, an amateur group  plays.

 

 

 

 

Let the beauty we love be what we do.

There are hundreds of ways to kneel and kiss the ground.

 

 

 

DSC00041

Hydrangea, Summer 2016 and every year.  Pennsylvania

 

DSC00017

DSC00018

Sleeping Muse, marble, front and back, 1910-1911.  Constantin Brancusi, 1856-1957, Romanian.  Hirshhorn Museum, Washington, DC

 

 

 

DSC09380-1

Dance 1, 1909, oil on canvas. A study for a painting commissioned by the Russian Sergei Schukin now in the Hermitage, St. Petersburg.  Henri Matisse, 1869-1954, French. MOMA, NY

 

 

 

DSC00277

Canyon, 1959, Oil, pencil, paper, metal, photograph, fabric,wood, canvas, buttons, mirror, taxidermied eagle, cardboard, pillow, paint tube and other materials . 

Robert Rauschenberg, 1925-2008, American.  MOMA, NY

 

 

DSC00043

Red cedar, Winterthur, 2016 and every year

 

 

DSC00203

Expulsion, 1955, oil on canvas.  Nora Speyer, American born 1922.  On display at the Woodmere Museum, Philadelphia in 2016/2017

 

 

DSC00234

Two Nudes in a Forest, 1939, oil on metal.  Frida Kahlo, 1907-1954, Mexican.  On display at the Philadelphia Art Museum in 2015

 

 

DSC00323

Detail of Peasant Woman Seated On the Grass, 1883, oil on canvas. Georges Seurat, 1859-1891, French.  Solomon R. Guggenheim Museum, NY

 

 

DSC02013

A Japanese maple in early September, 2017.  Morris Arboretum, Philadelphia

 

 

 

DSC00086_edited-1-2

Threnody II, 1987, acrylic on linen.  Leon Golub, 1922-2004.  Pennsylvania Academy of the Fine Arts, Philadelphia

 

 

dsc00094

Two Gentlemen Bowing to Each Other, Each Supposing The Other to be in a Higher Position, etching on paper, 1903.

  Paul Klee, 1879-1940, Swiss, Solomon R. Guggenheim, NY

 

 

 

dsc00033

Blue Ombré, 2016, mixed media sculpture.  Tasha Lewis, American.  Pennsylvania Academy of Art, Philadelphia

 

 

DSC00057

Mara’s Temptation of the Buddha and details, 1987. Y. G. Srimati, 1926-2007, Indian.  Exhibited at the Metropolitan Museum, NY in 2016/2017

The Buddha, taunted by grotesques, undergoes temptation at the hands of Mara and her daughters

 

DSC00075

Kneeling Angel, 1220-30, French.  Champlevé enamel, gilded copper.  Baltimore Art Museum

 

 

DSC00149

Nandi, steed and worshipper of Lord Shiva, c. 1200-1250; schist.  Mysore, Karnataka.  Philadelphia Art Museum

 

 

dsc00016

Nandi in a temple dedicated to Lord Shiva, Ahmedabad, 2010

 

dsc00043

A sphinx, dedicated to Hatsheput,  dates to 1460 BCE and is one of several smashed to smithereens on purpose by a ruler of Egypt. 

At the Egyptian temple built of sandstone by the Roman governor of Egypt in 15 BCE on commission of the Emperor Augustus at the Metropolitan Museum of Art, NY.  The temple  was dedicated to Isis and Osiris and two deified sons of a Nubian chief.

 

 

DSC00047_edited-1

Vienna Ballet, 1990, oil on canvas.  Georg Baselitz, German born 1938.  Philadelphia Art Museum

 

 

Costume Study for Vaslav Nijinsky in the Role of Iksender in the Ballet “La Péri” (The Flower of Immortality), 1922; watercolour and gold and silver paints over graphite.

Léon Bakst (Russian, Grodno 1866–1924 Paris).  Metropolitan Museum of Art, NY

 

 

DSC00091

DSC00094

Lilith, 1994, bronze with glass eyes.  Kiki Smith, American born 1964.  Metropolitan Museum, NY

 

 

DSC00142

Country Lovers, ink on paper, 1975.  Roland Ayers, 1932-2014, American.  On display at the Woodmere Museum of Art in 2016

 

 

DSC00195

DSC00198

Orchid Comb, 1903-1904, carved of a single piece of ivory.  The leaves are tiny pieces of enamel set in a metal framework (plique-à-jour) whose central veins are graduated diamonds. 

René Lalique, 1860-1945, French.  Baltimore Art Museum

 

 

DSC00169

The White Shirt, 1946, oil on cnvas.  Guillermo Meza, 1917-1997, Mexican.  Philadelphia Art Museum

 

DSC00014

Double Rift IV, 2016, rolled Paintstick and silica on paper, edition 9 of 12.  Richard Serra, American, born 1939.  Philadelphia Art Museum

 

DSC00017

Grey poplar trunk with ephemeral blues, Winterthur, Delaware, every year

 

DSC00001

Mystery, 2009, watercolour on paper.  Peter Paone, American, born 1936.  On display at the Woodmere Museum, Philadelphia I don’t recall when.

 

Crabapple, Winterthur, May 2014-05

 

Crabapple in bloom, May 2014, Winterthur, Delaware and every year

 

 

DSC00001_edited-1

Young Mother in a Grotto, modeled in clay 1885, carved by Jean Escuela, French, 1881-1911.  Auguste Rodin, 1814-1917, French.  Philadelphia Art Museum

 

 

DSC00253_edited-1

Maxwell Over, oil on canvas, 1992-93.  Ronald Bateman, American born Wales, 1947.  Woodmere Art Museum,  Philadelphia

 

 

Palitana 8

Jain worshippers, Palitana, Gujerat, India.  2010

 

DSC00046

Hydrangea, Winterthur, Delaware, 2017 and every year

4 thoughts on “Hundreds of Ways to Kneel and Kiss the Ground

  1. Avec plaisir meme si cette une petite histoire attristante. Je vais vous envoyer le mot originale dont Jamie m’a envoye un photo………On l’a inscrit dans le betume.

    Merci de votre interet! Sarah

    Like

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s